once we were anarchists [modernized oliver twist; oliver/dodger]

Another year, another school, another afternoon spent licking his wounds in a public toilet; Oliver’s played this game before. He bites the inside of his cheek to keep from crying and presses the compress to his eye again—it’s more a wetted ball of paper towels than anything else, but at least it’s stopped most of the bleeding. 

“I see you’ve got a good, old-fashioned welcome,” a voice says. Oliver stiffens but doesn’t turn—everything’s a test, because everything’s always a test. He hears the door shut, hears a lock snick into place, and wonders why he didn’t hear it open, wonders if he’s blown an eardrum again. 

It’s not what he should be wondering about, of course, but he thinks if he’s going to get the tar beaten out of him twice in one day, there’s no point adding anticipation to the mix. If it’s going to happen, it’s going to happen. You learn to take your licks, when licks are all you’re getting. 

“You could say that,” he says, as his reflection in the mirror gains a tall, gangly shadow. “You here to give me another?” 

“Hospitality is my specialty,” the boy says, and then his hand’s on Oliver’s shoulder, turning him around. “Christ, they wrecked you, didn’t they? No, no, put that fist down—I won’t laugh at you if you don’t make me, but you don’t look like you could take a kitten.” 

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Gyzym knows the truth.

  • Me : (talking about the new trailer) Steve looks so blazingly hot though
  • Me : the new costume is growing on me it looks stunning in video, and sometimes a bit weird in photo
  • Gyzym : dude i have always enjoyed the new costume
  • Gyzym : but only because it has always been full
  • Gyzym : of chris evans
  • Me: *snorting and making dolphin noise of lolz*

sailaweigh:

joannaestep:

houseofwonderandchaos:

thatashhole:

Robert Downey Jr., 2010.

Oh my good Sir, when do you do this to me?

Well DAMN!

I want to draw him like one of my french girls.

That fucking cigar! ::thud::

(Source: iwantcupcakes, via jeremyfuckyourenner)

Tags: morning poptart and heyyyyy darling can we just talk about how much we need to write the fic where tony's a modern day like fucking CRIME BOSS SON like howard stark isn't an arms manufacturer he's an arms DEALER and tony's young and wild and spoiled rotten and obie's running the operation really and if he doesn't think about what they do too hard it doesn't matter and it's all like seedy and gritty and YOU CAN DO THE SCENES WITH MURDERS i know how you like that and then there's steve and steve's uh i don't know this is an idea in progress in tags WAIT STEVE'S ONE OF TONY'S CLIENTS but really small time and only because he is totally an at-night vigilante because it's a totally different world because THINK of how different the landscape of the world would look if howard stark was a black market arms dealer if he made and sold his own weapons I MEAN JESUS CHRIST THAT'D BE A SCARY PLACE TO LIVE and tony just feeds into it because it's normal for him only it's hard to reconcile that with steve who keeps coming to him for these ridiculous things 'can you make me a shield i can throw?' 'how many grenades do you think one of those things could hold?' and then he uses it to FIGHT FOR JUSTICE or what passes for justice as close to justice as is around anyway AND OBVIOUSLY AWESOME VIGILANTE WINTER SOLDIER and just like fdjshfjskdfkdsf CAPTAIN AMERICA IS AN *IRONIC* NAME CHOICE TONY SLIDING INTO IRON MAN BY ACCIDENT SO HE'S A CRIMINAL BY DAY AND A VIGILANTE JUSTICE FIGHTER BY NIGHT JFHSJKFHDSKFJS LITERALLY ACTUALLY FIGHTING HIMSELF BECAUSE TONY STARK'S ALWAYS A BATTLE OF WILLS and anyway the point was: in that story this is totes how tony sits in a car

PANDA-MONIUM 

PANDA-MONIUM 

(Source: leilockheart, via maisewilliams)

fuck you migraine city why you gotta keep making me visit

head hurt toooo much for h50 premiere watching

v. sad

tomorrow will be watchytime

g’night y’all

sirius/remus, ‘there are many names in history but none of them are ours’

Sirius goes to war the way Remus goes to the moon; with his entire self and entirely against his will. He fights like he fucks, focused and driven and laughing on it a little—Remus watches him because he’s helpless not to, risks his own neck for the line of Sirius’, blood-streaked. It is the first time in his life he’s thought to howl while human, hands dirty with clean magic, and when the higher-ups throw around words like “curse” and “unforgivable,” Remus wonders if they know what they mean. 

“Moony,” Sirius says, on the train to the grocery. His voice is rough with sleeplessness, and Remus’s shirt conceals a cacophony of bandages, and the hell if he’ll spend another day in bed. There’s the war out there and the war in here, and Sirius’ hands are so familiar that it hurts to look at them, crossed across his lap. 

“Yeah?” says Remus. 

“You remember when we were eleven,” says Sirius, “and it seemed like—you know, I guess I always thought I’d die before I had to be. Fuck, I don’t know.” 

“Don’t say things like that,” says Remus, and Sirius’ eyes are as ancient as his face isn’t, still rounded out and devastatingly handsome if you don’t look too hard.

“Someone has to,” he says, and it’ll be years before Remus understands the tight, furious curve to his mouth, the way his hands clench against his thighs, the way he buys canned food and dry crackers like he’s steeling himself for something. 

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